Rather than using the Mimi and Nikko sex tape as a teachable moment about privacy, permanence and the longevity of Internet decisions, Harvey can't resist transforming that moment into a diatribe about shame and God's plan for women's bodies.
One of the reasons I created GLAM4GOOD was so I could harness the positive aspects of fashion and beauty to celebrate courage and perseverance in the face of great difficulty, tragedy and pain. Nayanda was right, GLAM4GOOD is more than just a makeover -- often it's about honoring and acknowledging everyday heroism and bravery.
Like many military members who survive a sexual assault, the process of reporting the rape and seeking some justice was a long, despairing and ultimately fruitless effort.
"Finding out that the U.S. Army regulations seemed to be geared towards eliminating Black females with natural hair was heartbreaking for me... It pains me to know that an organization that I have sacrificed so much for doesn't accept me in my natural, yet professional state."
We're coming up on one of my favorite times of the year: that time, just after spring breaks out but before summer begins, in which thousands of college graduates are released into the world. And as they go forth we give them lots of advice. The advice varies, sometimes conflicts, but the general idea is: Here is what you need to know in order to succeed in the world. This year my book tour is taking me to a lot of colleges, and my first piece of advice is to start by defining success for yourself -- by being clear about what you want, what you value and what you are about. But to do that, we need to abandon, or at least mitigate, some of the worst practices of the adult world that students are already mired in: burnout, sleep deprivation, stress and anxiety. This is all the more important because this generation is starting out their adult lives burdened with multiple deficits.
If I could speak to the person who killed Angela, I would tell them that I don't have the words to say just how sad I am. I would say, "Look what has happened to us."
When it comes to rape culture and manifestations of sexual violence against women, as people of color, we find ourselves at the forefront of this plague.
Last week, I could only watch on television news as soldiers herded scores of my countrymen on to trucks like livestock, to be driven to detention centers. Women carrying babies struggled to climb onto the cumbersome vehicles, built not for carrying humans but cargo and commodities.
What will happen 30 years from now when the litigation my colleagues and I devoted ourselves to has faded from collective memory? Despite reforms, this place remains a prison for children.
There's a tendency among my friends and others who see me in my element to refer to me as a "tranny," one of the words that have recently been banished from the gay lexicon. Personally, I've always regarded being called a "tranny" not as a slur but as a term of endearment.
The question is not who is in charge. Rather, it is how well is the university doing in fulfilling its mission.
The media just love anniversaries. But I'm wondering how many mass media outlets will pick up on a confluence of two such commemorations this coming week -- a 50th and a 20th -- which mark separate major events in the long life of a recently departed global giant.
Saving up your hard-earned cash to stash away an emergency fund? Well, it can be a hard sell. Spare cash can be hard to come by, and, after all, taking a vacation is a heck of a lot more fun. Or at least a lot of us seem to think so.
With the costs of basic necessities rising and wages stagnating, minimizing unnecessary and wasteful spending is more important than ever.
Why am I writing this? As a single mother, raising two black young men and surrounded by the death of so many young men, I am constantly in search of positive influences that will inspire them, motivate them and keep them on the right path.
Before this past January, I hadn't cried since 1999 and the Denzel movie The Hurricane.
By Karu F. Daniels, AOL Black Voices
She may have had an extravagant Caribbean wedding -- one fit for royalty -- in Turks & Caicos, but that doesn't stop LisaRaye McCoy-Misick from getting down to the nitty gritty when it comes to her work.
The 'Player's Club' actress, whose CW sitcom 'All of Us' was recently canceled, is getting back into the swing of things with a lead role in the upcoming chit'lin circuit stageplay 'Angela Dunlap's Gossip, Lies & Secrets.'
Former Miss USA and actress Kenya Moore and one-time platinum-selling R&B singer Blu Cantrell joins McCoy-Misick in a tantalizing tale about three entertainment industry-related women bound by an unspoken commitment to be each other's confidant and best friend.
After an evening of sharing intimate and sometimes incriminating confessions and secrets, the ladies renew their weekly pact to "never tell another soul" about what has occurred.
All of that is fine and dandy until the ringleader gets her big break after being approached by a major publisher who commissions her to write a novel.
It is in that moment of sheer desperation that she makes a plot-twisting decision to save her career by breaking the sacred pact of her friends and divulge her best friends' (one an R&B diva, the other a TV star) innermost secrets... all of them.
Popular character actor Clifton Powell, former R&B singer and sex symbol Christopher Williams, urban theater sensation Patrice Lovely ('When A Woman's Fed Up' and 'Men, Money & Golddiggers') and husband and wife chit'lin circuit veterans Lia and Tony Grant round out the cast of 'Gossip, Lies & Secrets.'
Dunlap is an acclaimed writer, director and producer who helmed the hit stageplays, 'If These Hips Could Talk,' which starred legendary actor Billy Dee Williams and Tichina Arnold, and one of the highest grossing stageplays of all time, 'Why Good Girls Like Bad Boyz?'
The show kicks off Sept. 29 in Newark, New Jersey and will play 15 cities in total before wrapping up in Detroit during Thanksgiving week.
'Angela Dunlap's Gossip, Lies & Secrets' Tour dates are below.
September 29 -30 Newark, New Jersey Newark Symphony Hall
October 2 – 7 New York, New York The Beacon Theatre
October 9 – 17 Washington, DC The Warner Theatre
October 16 – 18 Jacksonville, Florida The Times Union Center
October 19 Birmingham, Alabama The Boutwell Auditorium
October 20 – 21 Nashville, Tennessee The Tennessee Performing Arts Center (TPAC)
October 23 – 27 Atlanta, Georgia The Atlanta Civic Center
October 28 Tampa, Florida Tampa Performing Arts Center
October 30 – 31 Charleston, South Carolina North Charleston Performing Arts Center (PAC)
November 1 Tallahassee, Florida Leon County Civic Center
November 2 – 3 Columbia, South Carolina The Township Auditorium
November 4 Augusta, Georgia Bell Auditorium
November 6 -11 Houston, Texas The Hobby Center
November 13 -18 Philadelphia, Pennsylvania The Merriam Theatre
November 20 - 25 Detroit, Michigan The Music Hall