I've greatly enjoyed my time, but I no longer wish to put my body at risk for the sake of entertainment. I think about the rest of my life and I want to live it with much quality. And physically, I am grateful that I can walk away feeling as good as I did when I stepped into it.
The uproar over high-stakes testing associated with Common Core in New York State and complaints that children are being tested on things they were not taught, has obscured the deepening of racial, ethnic and class divisions in education in New York and the United States.
Years from now we will know that we stood on the right side of history.
Facing the horror of slavery is a tough nut to crack not simply because it entails facing an inconvenient truth about past racial dehumanization, but because it entails facing the real truth that slavery still corrodes in big and little ways American life.
Imprinted within our psyches is the notion that success is something that should be visible. Until recently, it has had a rather distinct look to it.
With the "My Brother's Keeper" initiative, President Obama is leveraging the power and influence of his presidency to address barriers to success facing boys and young men of color. It is a vital step in the continuous journey to help America heal from the legacy that limited opportunities for centuries.
The most diverse place on campus is a shiny, happy spot that exists in two dimensions: the brochures, viewbooks and annual reports that colleges and universities produce for public consumption.
Where there is no goodwill, the dialogue cannot begin, and there is only polite silence masking anger and distrust.
Unfortunately, for increasing numbers of teenage African American and Latino males, prison is becoming a rite of passage and their presence in juvenile detention facilities has become more and more profitable.
Seventeen-year-old Theresa Tran is one of this year's winners of the Children's Defense Fund-Ohio's Beat the Odds® scholarships after overcoming tough odds including physical disability, the death of a beloved sibling, and a father who suddenly abandoned the family.
This week thousands of parents and students marched to save their schools and fight for the right of every child to receive a quality education. The march was in response to the mayor's newly announced charter school co-location policy.
I started to think of the underrepresentation of other minorities in the fashion industry and the limited diversity in many other art culture subsets. As a result, I decided to look around and to give more recognition to these six creators who are following their passions.
"My advice to anyone just starting out in this business, and to people who haven't gotten their start yet, is not to give up and not to be discouraged by disappointment. It's a long journey."
No longer can we ignore the reality that our children are dying. No longer can we close our eyes to the immense pain and suffering of these grieving parents, siblings and loved ones. No longer can we act as if this doesn't impact us.
Hip-hop royalty is returning to Broadway.
Following in the same vein as Russell Simmons' Tony Award-winning turn with 'Def Jam on Broadway' and Sean 'Diddy' Combs' big splash in Kenny Leon's revival of 'A Raisin in the Sun,' ShaFelawn "Jay-Z" Carter and Will Smith and wife Jada Pinkett Smith are taking on the Great White Way.
Contract talks have been going on for weeks between the hip-hop and Hollywood A-listers and the 'Fela!' creative team, and today, Richard Kornberg, Billy Zavelson and Tommy Wesley officially announced that the trio has joined the production team of the musical, which chronicles the life of African musician and political activist Fela Anikulapo Kuti.
The glitzy partnership will hopefully bring in the same star power that Oprah Winfrey's name did for 'The Color Purple' in 2005.
Late last year, The Roots drummer Ahmir '?uestlove' Thompson appealed to 200 of his entertainment industry colleagues via e-mail blast to attend the sold-out limited run of the off-Broadway musical
"It's uncut. It's true to the vision. It's amazing! There is no option. I expect death to be the only reason why you did not see this production," he wrote in his letter.
He closed the plea with: "Get off your ass and see this now."
Now that the show is headed to Broadway, it has been given an $11 million makeover and is set to open at the Eugene O'Neill Theatre on Nov. 23.
Beloved Tony Award winner Lillias White joined the cast as Funmilayo Ransome-Kuti, the late Afrobeat legend's mother.
And when Sahr Ngaujah -- who mastered the complex lead role when the show debuted off-Broadway, last year -- isn't working his magic on the masses, Kevin Mambo (right), a two-time Daytime Emmy Award winner takes over the role.
Thompson, whose reach has only expanded since The Roots became the house band for Jimmy Fallon's late-night television show, continued to make an impassioned plea for more of his celebrity friends to invest in and support the show, and it seems his calls have been answered.
The addition of Jay-Z and the Smiths could boost ticket sales, which have been reportedly low thus far.
"My job is to be the mouthpiece that can at least catch the ear of a power player for Hollywood and the industry," Thompson, who is also a producer on 'Fela!,' said.
Getting Carter, with whom he has collaborated with, to give 'Fela!' a chance wasn't too difficult a task, thanks to the interests of the Brooklyn MC's superstar wife.
"This play really hit Beyonce in the gut, which in turn really hit [Jay-Z] in the gut, and he was excited about it."
Alicia Keys was also confirmed to have seen 'Fela!' at Thompson's urging.
Similarly, hip-hop star K'naan, who says "Broadway will never be the same now," after having an early look at the show encouraged Mos Def -- who starred in the critically acclaimed play 'Topdog/Underdog' -- and Nas to check it out.
The show's lead producer, Stephen Hendel, said that "these prominent celebrities are also approaching us because they want to be involved in bringing something important and new to the culture."
As previously reported, Tony Award-winning choreographer Bill T. Jones serves as the show's creative force.