Rather than using the Mimi and Nikko sex tape as a teachable moment about privacy, permanence and the longevity of Internet decisions, Harvey can't resist transforming that moment into a diatribe about shame and God's plan for women's bodies.
The baiting and the assault on Obama will get even uglier. But it won't change one hard fact: that when it comes to race baiting, the GOP will always have the market cornered on that -- and millions know it.
We're coming up on one of my favorite times of the year: that time, just after spring breaks out but before summer begins, in which thousands of college graduates are released into the world. And as they go forth we give them lots of advice. The advice varies, sometimes conflicts, but the general idea is: Here is what you need to know in order to succeed in the world. This year my book tour is taking me to a lot of colleges, and my first piece of advice is to start by defining success for yourself -- by being clear about what you want, what you value and what you are about. But to do that, we need to abandon, or at least mitigate, some of the worst practices of the adult world that students are already mired in: burnout, sleep deprivation, stress and anxiety. This is all the more important because this generation is starting out their adult lives burdened with multiple deficits.
There's a tendency among my friends and others who see me in my element to refer to me as a "tranny," one of the words that have recently been banished from the gay lexicon. Personally, I've always regarded being called a "tranny" not as a slur but as a term of endearment.
Last week, I could only watch on television news as soldiers herded scores of my countrymen on to trucks like livestock, to be driven to detention centers. Women carrying babies struggled to climb onto the cumbersome vehicles, built not for carrying humans but cargo and commodities.
It's finally time that we have that long awaited talk about measuring black success. For far too long we have given many a pass when it comes to what they say and how they go about navigating what it means to achieve for the community.
I love Easter! Spring has finally sprung, with sweet smells in the air, and sweet treats for us to savor. Here are my latest favorite things.
Like many military members who survive a sexual assault, the process of reporting the rape and seeking some justice was a long, despairing and ultimately fruitless effort.
This week I talked with Scott Campbell, Executive Director of the Elton John AIDS Foundation, which has been identified by Funders for LGBTQ Issues as the largest funder of programs for black LGBTQ individuals.
Saving up your hard-earned cash to stash away an emergency fund? Well, it can be a hard sell. Spare cash can be hard to come by, and, after all, taking a vacation is a heck of a lot more fun. Or at least a lot of us seem to think so.
In the business of higher education, we must educate students for jobs that may not yet exist to solve problems not yet known.
These days when Selena Blake thinks about her native land, Jamaica, there are no images of pristine beaches and sunny skies that come to mind. Instead, she sees the ugly face of homophobia and transphobia that continues to stain Jamaica's image.
The media just love anniversaries. But I'm wondering how many mass media outlets will pick up on a confluence of two such commemorations this coming week -- a 50th and a 20th -- which mark separate major events in the long life of a recently departed global giant.
With the costs of basic necessities rising and wages stagnating, minimizing unnecessary and wasteful spending is more important than ever.
If I could speak to the person who killed Angela, I would tell them that I don't have the words to say just how sad I am. I would say, "Look what has happened to us."
Backing Bette Midler as a vocalist gave Jenifer Lewis the training for her thirty year-plus long entertainment career. The 53 year-old Missouri native has over sixty films on her resume and -- though her part is small -- will make what she considers a "career transformation" in the new Clint Eastwood movie 'Hereafter.'
BlackVoices.com sat down with this legendary actress, singer and thespian for her thoughts on where she's been and where she's going.
BlackVoices: You've been a background vocalist for Bette Midler and Whoopi Goldberg in 'Sister Act.' Who's the biggest diva you've worked with and what did they teach you?
Jenifer Lewis: Well, I guess it was Bette Midler. And, one of the things I learned from Bette is how to sing a ballad. She had great focus and great humor and chutzpa (and you'll have to look that up how to spell that). She was very charismatic on stage and I would always stand in the wings and watch her.
BV: With a television career that spans 'A Different World' and 'Strong Medicine' to 'The Fresh Prince of Bel-Air,' and 'Friends' what do you think was your most enjoyable television role?
JL: I think they all are. When I show up, I show up to have a good time. I am a professional and I really enjoy working with other artists and having done a variety of other roles really fed my artistic creativity.
BV: There have been several notable roles you almost got but didn't including Effie White in the original cast of 'Dreamgirls' and Tina Turner in the critically acclaimed film 'What's Love Got to Do With It,' which one of these roles were you most upset you didn't get and did you watch either film and say hell I could've don't that better.
JL: Here's the time for me to set the record straight. I never audtioned for Tina and did not get the role. I was offered the mother role and was happy to do it. Could I have played Tina? Yes, but I think Angela Bassett did a great job and Effie it was the workshop production of 'Dreamgirls' that I did and when they brought Jennifer Holliday back I was fine because who knew that it was going to be the hit that it became. So there was never any disappointment in those two.
BV: But, was there any role that you were upset that you did not get?
JL: I am a firm believer in 'what's mine is mine.' I work so much, hell I can't get every part. Of course, I'm human and have had great disappointments in my career, but you keep stepping and keep it moving.
BV: You've also played the role of the mother in several films and for big names like Whitney Houston, Angela Bassett, and Taraji P Henson, to name a few.
JL: That's right, I'm the black mother of Hollywood and good black don't crack. I have tried to honor the middle-aged African-American woman by playing her honest, and the earth mother which is what they are...sassy, honest, they get to the point, very direct, and very charismatic. So I've tried to honor that.
BV: Is there one mother role that you get recognized for the most?
JL: I think Velma Bullock from 'What's Love Got To Do With It?' People just walk down the street quoting me constantly. "Anna Mae, I'm the only sinner in this house" [and] "What you gonna do with that money, Anna Mae?" And, I think it's just too cute. When people imitate me, I just laugh and laugh. I'm very flattered by it.
BV: Do you ever feel like you're being typecast?
JL: Yeah, but I didn't mind it. I tell people 'Yeah, I play everybody's mother, but for that kind of money, I'll play the daddy." Ok, let's get real.
BV: Who's your favorite person to work with?
JL: I had a great time with Tom Hanks, we laughed the entire time we did 'Castaway,' that was a lot of fun. I loved working with Taraji P. Henson, she's a hoot...fiery girl. I love her. I get along with everybody and if I'm not getting along with you I'm going to say, 'Baby, can we work this out?' and a lot of times we do because life is short. People don't mess with me. They really don't they're like, 'That's Jenifer Lewis, keep it stepping.'
BV: You're certainly one of the funniest actresses of our time, would you ever do another sketch comedy show, having appeared on several episodes of 'In Living Color.'
JL: If that comes along before something else and it's written well I will do that show. I know people are waiting for me to have my own show and my answer to that is 'Everything in Time.'
BV: Was there ever one person you wanted to model your career after when you decided to become an actress?
JL: No, I'm an original. Always have been.
JL: Now, I've looked up to many people who are not all entertainers that have helped me mold the person I have become. Mahalia Jackson, Aretha [Franklin]'s voice was the score to my childhood. I grew to love and admire Dr. [Martin Luther] King and I stand on the shoulders on Nelson Mandela and I know that they are fragile, so I watch my step. I am a reader of the great Toni Morrison. There are so many that I cannot name, but I honor them all. Lena Horne, Nina Simone, Barbara Streisand...I met [Barack] Obama and Michelle [Obama] at Oprah [Winfrey]'s house and I want you to print all of that because I pay tribute to these people.
BV: If you weren't an actress, what do you think you would be doing?
JL: I would be a gymnast. I'm very limber. I do yoga.
BV: Many people love your cult classic mockumentary 'Jackie's Back.' What's the status on the sequel? We're getting anxious waiting on it.
JL: I'm going to try real hard to do that. I think the next 'Jackie's Back,' she's going to be Mayor of Washington, D.C., terrorizing the entire town.
BV: Two years ago, you appeared in 'Hairspray' on Broadway. Do you think you'd go back to Broadway anytime in the near future?
JL: I am sure I will one day because I have got to snatch up that Tony Award.
BV: Will you be doing your one-woman show in the near future?
JL: I will be doing a concert on Nov.22 at the Nate Holden Theatre called 'Tis the Season with Jenifer Lewis' so I want everybody to be there. It is a fundraiser.
BV: Many people don't know you voiced the character of Mama Odie in the Disney animated film 'The Princess and the Frog,' was that easy work?
JL: Fabulous, fabulous, fabulous. I took on Moms Mabley, the African-American comedienne and just ran with it. I had a ball doing that character.
BV: Tell us a little about your role in 'Hereafter.' How was having this bit role in this big budget film?
JL: I'll put it like this...everybody should see the movie because Clint Eastwood has the ability to poetically put stories onto the screen. The movie leaves you with your own imagination and he captures the current of human emotion and I have two words for Clint Eastwood: intellect and humanity. Very classy guy he trusts his actors. And, Matt Damon was also a professional so there I sat in front of my own reflection because I am a staunch professional.
Blackvoices: Did you learn anything from Matt Damon or Clint Eastwood? Or better yet, did you teach him anything?
JL: Just stay focused and do the work and do it well, but between me and you, I think they learned more from me. Hatch da da dum.
Blackvoices: Where do you see yourself five years from now?
JL: Happy. Very, very, happy. I have a wonderful daughter. I'm in love. I will probably be married. I have never been married and I have a little puppy and I'm sure that he will be right in my little arms.
Blackvoices: Do you still have a dream role that you haven't played yet or a passion project of sorts?
JL: I'm loving it all. Whatever comes and it's good. I will take it.
'Hereafter' hit theaters nationwide Oct. 22.