A hundred years ago, Martha died. At 1 p.m. on September 1, 1914, the last individual of a wild blue dove whose flocks once numbered billions and blackened the American skies for days fell over dead in her Cincinnati zoo cage.
Honestly, it seems like there is maybe one week of summer we can actually enjoy. I don't care if there is pumpkin spice lattes to be had and school supplies to be bought. Summer doesn't end for weeks. Let's stop rushing through the season.
It was worth the wait for Hillary Clinton to speak out. Clinton skipped the platitudes and echoed the uncomfortable truths that black men are routinely profiled, disproportionately pack America's jails and prisons, and get longer sentences than white males.
I watched the Minaj twerk fest once, and tears welled up. Not for joy. But because I remembered my mother and a whole host of proud black sistahs who fought sooooo hard to be something other than their asses.
If you're young, black and female, your identity might be a liability. Recent studies have proven that online dating can be tainted by racism.
Breastfeeding is our symbol to the world that I will make my best effort to commit to giving my baby the best first food possible, despite my circumstances. And if for some reason if I am unable to, then it was not for lack of trying.
The crime of killing someone is now turned into a battle of narratives where the only other person who could challenge the narrative is dead, and millions of people simply believe that the unarmed black man deserved his fate.
The cumulative and convergent toll of subtle, but discouraging, adult actions in schools and other child-serving systems they come into contact with too often impedes the success of children of color, especially those who are poor, and burdens them with an emotional toll they don't deserve.
While this was a controversy over a comic book character, it really played to a larger discussion on race-relations that continues to take place throughout most, if not all, of America. Why shouldn't a talented actor be considered to play a fictional character regardless of race?
"Mommy," he piped up from the back seat in his sweet little voice, "I don't like people who have different skin color than mine." My brain sort of froze, but I stayed on the road as I gulped in discomfort.
It's impossible to delineate every way race affects us every day, but a cursory examination of major structural racial problems can give us a feeling for how far we still have to go.
The election of Barack Obama was the Lexington and Concord in the latest great battle of race in America. We are a nation at war with itself. For all of our desire to move beyond the narrow confines of many of the events of our tragic history, we cannot. The president's election gave new life to what had been lying dangerously dormant for the better part of 50 years.
Investment types often trot out the cautionary phrase, "past performance does not necessarily predict future results." And for good reason. Clients must understand that their financial tomorrow is no guarantee. Yet when it comes to the question of whether we are doing enough to ensure that we won't outlive our resources in retirement, we can learn a lot from history.
Beverly Hills police and city officials predictably circled the wagon after news broke of the humiliating, embarrassing and potentially dangerous wrongful arrest of noted African-American filmmaker and producer Charles Belk.
Closing the achievement gap for minority students is always the topic of discussion and it seems to me that we have at least a partial solution right in front of us. Implementing year-round schooling will lead to minority students who are more engaged with their academics.
Let's get real, America. Only by acknowledging and dealing with the continued importance of race as a principal underlying cause of our deficiencies can we ever hope to deal with and resolve those defects in our nation.
Only by participating in the political process, building trust and cooperation with people unlike us, and using our smartphone cameras to expose official misconduct can we make America -- to borrow Dr. King's words -- be true to what we said on paper.
While music and art are entertaining, this is not entertainment. This is the residue of what I feel to be a spiritual and physical quest for a freedom that we can all share.
Backing Bette Midler as a vocalist gave Jenifer Lewis the training for her thirty year-plus long entertainment career. The 53 year-old Missouri native has over sixty films on her resume and -- though her part is small -- will make what she considers a "career transformation" in the new Clint Eastwood movie 'Hereafter.'
BlackVoices.com sat down with this legendary actress, singer and thespian for her thoughts on where she's been and where she's going.
BlackVoices: You've been a background vocalist for Bette Midler and Whoopi Goldberg in 'Sister Act.' Who's the biggest diva you've worked with and what did they teach you?
Jenifer Lewis: Well, I guess it was Bette Midler. And, one of the things I learned from Bette is how to sing a ballad. She had great focus and great humor and chutzpa (and you'll have to look that up how to spell that). She was very charismatic on stage and I would always stand in the wings and watch her.
BV: With a television career that spans 'A Different World' and 'Strong Medicine' to 'The Fresh Prince of Bel-Air,' and 'Friends' what do you think was your most enjoyable television role?
JL: I think they all are. When I show up, I show up to have a good time. I am a professional and I really enjoy working with other artists and having done a variety of other roles really fed my artistic creativity.
BV: There have been several notable roles you almost got but didn't including Effie White in the original cast of 'Dreamgirls' and Tina Turner in the critically acclaimed film 'What's Love Got to Do With It,' which one of these roles were you most upset you didn't get and did you watch either film and say hell I could've don't that better.
JL: Here's the time for me to set the record straight. I never audtioned for Tina and did not get the role. I was offered the mother role and was happy to do it. Could I have played Tina? Yes, but I think Angela Bassett did a great job and Effie it was the workshop production of 'Dreamgirls' that I did and when they brought Jennifer Holliday back I was fine because who knew that it was going to be the hit that it became. So there was never any disappointment in those two.
BV: But, was there any role that you were upset that you did not get?
JL: I am a firm believer in 'what's mine is mine.' I work so much, hell I can't get every part. Of course, I'm human and have had great disappointments in my career, but you keep stepping and keep it moving.
BV: You've also played the role of the mother in several films and for big names like Whitney Houston, Angela Bassett, and Taraji P Henson, to name a few.
JL: That's right, I'm the black mother of Hollywood and good black don't crack. I have tried to honor the middle-aged African-American woman by playing her honest, and the earth mother which is what they are...sassy, honest, they get to the point, very direct, and very charismatic. So I've tried to honor that.
BV: Is there one mother role that you get recognized for the most?
JL: I think Velma Bullock from 'What's Love Got To Do With It?' People just walk down the street quoting me constantly. "Anna Mae, I'm the only sinner in this house" [and] "What you gonna do with that money, Anna Mae?" And, I think it's just too cute. When people imitate me, I just laugh and laugh. I'm very flattered by it.
BV: Do you ever feel like you're being typecast?
JL: Yeah, but I didn't mind it. I tell people 'Yeah, I play everybody's mother, but for that kind of money, I'll play the daddy." Ok, let's get real.
BV: Who's your favorite person to work with?
JL: I had a great time with Tom Hanks, we laughed the entire time we did 'Castaway,' that was a lot of fun. I loved working with Taraji P. Henson, she's a hoot...fiery girl. I love her. I get along with everybody and if I'm not getting along with you I'm going to say, 'Baby, can we work this out?' and a lot of times we do because life is short. People don't mess with me. They really don't they're like, 'That's Jenifer Lewis, keep it stepping.'
BV: You're certainly one of the funniest actresses of our time, would you ever do another sketch comedy show, having appeared on several episodes of 'In Living Color.'
JL: If that comes along before something else and it's written well I will do that show. I know people are waiting for me to have my own show and my answer to that is 'Everything in Time.'
BV: Was there ever one person you wanted to model your career after when you decided to become an actress?
JL: No, I'm an original. Always have been.
JL: Now, I've looked up to many people who are not all entertainers that have helped me mold the person I have become. Mahalia Jackson, Aretha [Franklin]'s voice was the score to my childhood. I grew to love and admire Dr. [Martin Luther] King and I stand on the shoulders on Nelson Mandela and I know that they are fragile, so I watch my step. I am a reader of the great Toni Morrison. There are so many that I cannot name, but I honor them all. Lena Horne, Nina Simone, Barbara Streisand...I met [Barack] Obama and Michelle [Obama] at Oprah [Winfrey]'s house and I want you to print all of that because I pay tribute to these people.
BV: If you weren't an actress, what do you think you would be doing?
JL: I would be a gymnast. I'm very limber. I do yoga.
BV: Many people love your cult classic mockumentary 'Jackie's Back.' What's the status on the sequel? We're getting anxious waiting on it.
JL: I'm going to try real hard to do that. I think the next 'Jackie's Back,' she's going to be Mayor of Washington, D.C., terrorizing the entire town.
BV: Two years ago, you appeared in 'Hairspray' on Broadway. Do you think you'd go back to Broadway anytime in the near future?
JL: I am sure I will one day because I have got to snatch up that Tony Award.
BV: Will you be doing your one-woman show in the near future?
JL: I will be doing a concert on Nov.22 at the Nate Holden Theatre called 'Tis the Season with Jenifer Lewis' so I want everybody to be there. It is a fundraiser.
BV: Many people don't know you voiced the character of Mama Odie in the Disney animated film 'The Princess and the Frog,' was that easy work?
JL: Fabulous, fabulous, fabulous. I took on Moms Mabley, the African-American comedienne and just ran with it. I had a ball doing that character.
BV: Tell us a little about your role in 'Hereafter.' How was having this bit role in this big budget film?
JL: I'll put it like this...everybody should see the movie because Clint Eastwood has the ability to poetically put stories onto the screen. The movie leaves you with your own imagination and he captures the current of human emotion and I have two words for Clint Eastwood: intellect and humanity. Very classy guy he trusts his actors. And, Matt Damon was also a professional so there I sat in front of my own reflection because I am a staunch professional.
Blackvoices: Did you learn anything from Matt Damon or Clint Eastwood? Or better yet, did you teach him anything?
JL: Just stay focused and do the work and do it well, but between me and you, I think they learned more from me. Hatch da da dum.
Blackvoices: Where do you see yourself five years from now?
JL: Happy. Very, very, happy. I have a wonderful daughter. I'm in love. I will probably be married. I have never been married and I have a little puppy and I'm sure that he will be right in my little arms.
Blackvoices: Do you still have a dream role that you haven't played yet or a passion project of sorts?
JL: I'm loving it all. Whatever comes and it's good. I will take it.
'Hereafter' hit theaters nationwide Oct. 22.