Dear White People is sure to become both a cult hit and a staple on college campuses across the country, and I'm glad for it since the movie ultimately ends with more questions than answers. And with an issue as multi-faceted as racism, that is as it should be.
I am deeply troubled by your sudden quietness in the midst of such powerful youth activism against police brutality and state violence. The killing of Mike Brown in Ferguson, Missouri, has awakened a movement, yet you are silent. Other members of the black entertainment industry have contributed in various ways, yet you are ghost.
Illinois is home to a vicious cycle that prevents its black residents from reaching their full potential, and too little attention is being paid to the numbers driving it.
In my 30s, it's no longer a question of when my masterminded plans will pan out -- but whether I actually want the things I penned into my five-year plans, and if so, what I'm willing to give up to get them.
At the Louisiana State University Law Center, the silence on race is deafening. It is deafening because race is never really off the table. Students discuss race with members of their own racial group, but they rarely have interracial conversations on race. As a result, students never learn about other people's lives or experiences -- they never become culturally competent.
By 50, you may already feel like you've got it figured out. You make a good salary, you've reached many of your life goals and your kids are on their way to independence. But there are still a lot of money truths left to learn, especially as you're approaching your retirement years.
School officials defend their quick resort to call in the school or city police with the claim that black students do commit more serious offenses than other students. There's nothing to support this.
Our founders opposed using a "standing army" to patrol our streets. In fact, James Madison called this "one of the greatest mischiefs that can possibly happen." Under the "1033" program, however, America's streets are increasingly patrolled by police forces with all the trappings of an army ready for war.
It behooves us all to take another look at the bravery, the agony, and the hope of that very different time, and do what we can to reabsorb its lessons.
The last few years have been fruitful ones for Gordon, who, with powerhouse filmmaker and playwright Rikki Beadle-Blair, has set up the critically acclaimed Team Angelica Press, a publishing firm in London dedicated to outsider artists and writers, especially LGBT voices of color.
The money decisions you make today can lead to either a secure or a scary financial future. Don't be tricked into being complacent. Think ahead, plan ahead -- and avoid these 13 money mistakes that could haunt you for years to come.
For the first time in 13 years, the DOE now makes clear that states, school districts, and schools must make education resources equally available to all students without regard to race, color, or national origin. This is some of the unfinished business of the civil rights movement and a giant step forward for poor children, often children of color.
"Nothing in nature is straight. So that's how I design. There's no rhyme or reason. I'm planting for aesthetics. I want to be assaulted by smell, by beauty, by taste."
Because we have already called for an end to mass incarceration, but, though there has been progress, our elected local, state and especially federal officials haven't gone far enough.
The research team tested participants at an unconscious level through an implicit association test. They were able to look at the way the participants internally felt about STEM gender biases.
Many people know me for my dry sense of humor, but I'm also a serious legislator who gets results. I work hard to offer meaningful and impactful legislation that helps level the playing field for consumers, working people, the middle class and civil rights for the disenfranchised.
When you hire Bill Murray to star in your comedy, his eccentric curmudgeon persona comes with the deal. First-time screenwriter/director Theodore Melfi knew that and desperately wanted Murray to star in his movie, which is based on a true-life experience.
Last night, BlackVoices.com attended the opening of Lincoln Center Theater's production of John Guare's new play, 'A Free Man of Color,' directed by George C. Wolfe and starring Tony, Emmy and Golden Globe Award-winning actor Jeffrey Wright and rapper Mos Def.
The cast also features Yao Ababio Peter Bartlett, Nicole Beharie, Arnie Burton, Rosal Colón, Veanne Cox, Paul Dano, Sara Gettelfinger, Derric Harris, Justina Machado, Joseph Marcell, John McMartin, Nick Mennell, Teyonnah Parris, Postell Pringle, Esau Pritchett, Brian Reddy, Reg Rogers, Triney Sandoval, Robert Stanton, Wendy Rich Stetson, Jerome Stigler, Senfaub Stoney and David Emerson Toney.
Notabables in attendance included Ben Stiller, Stockard Channing, S. Epatha Merkerson, Lynn Whitfield, producer Stephen C. Byrd, Andre Harrell, Rosie Perez and the singing group Sweet Honey in the Rock.
'A Free Man of Color,' is a freewheeling epic set in 19th-century New Orleans. Jacques Cornet, the title character (played by Wright), is a new-world Don Juan and the wealthiest inhabitant of this sexually charged and racially progressive city. Jacques thinks all is well in his paradise until history intervenes, setting off a chain of events that no one, much less this free man of color, realizes is about to splinter the world.
For Wright, who won a Tony Award for his portrayal of a gay nurse forced to take care of a homophobic Roy Cohn as he lay dying from AIDS in Tony Kushner's 1994 award-winning play 'Angels in America,' it's a return to stage after performing with Mos Def in 2002's 'Topdog/Underdog.'
"It's great to be back on stage," he told BlackVoices.com. "
This play has really rekindled my passion for acting because it's such a nightly challenge; it requires my entire focus, so I feel great. John Guare wrote a brilliant piece, and it needed to be fully realized. We were waiting for the right opportunity to do that. Lincoln Center provided an incredible, nurturing environment to allow that to happen."
Both Wright and Mos Def talked about their fondness for one another and about making sure the show has a meaningful impact.
JW: I love Mos, and it's easier than 'Topdog' because in that play he was my brother and in this play, he's my slave. That makes for an easier dynamic. As for the show, we are all inspired to be free people of color, so I don't think there's anything more that needs to be said. This is a play about who we are as Americans and as African Americans. It's a play that wraps its arms around the complexity of our history, our past and our present, so folks should come to see it.
Mos Def: Jeffrey's a friend, a mentor and a good guy. Doing the play is challenging, but very rewarding. I hope it's as rewarding for the audience as it is for the company.
Joseph Marcell, Wendy Rich Stetson & David Emerson Toney
Peter Bartlett, Justina Machado & John Guare
George C. Wolfe & Rosie Perez
Jerome Stigler, Reg Rogers & Derric Harris
Esau Pritchett & wife
Lynn Whitfield and Stephen C. Byrd, producer of 'Cat on a Hot Tin Roof'