In my 30s, it's no longer a question of when my masterminded plans will pan out -- but whether I actually want the things I penned into my five-year plans, and if so, what I'm willing to give up to get them.
Illinois is home to a vicious cycle that prevents its black residents from reaching their full potential, and too little attention is being paid to the numbers driving it.
Dear White People is sure to become both a cult hit and a staple on college campuses across the country, and I'm glad for it since the movie ultimately ends with more questions than answers. And with an issue as multi-faceted as racism, that is as it should be.
By 50, you may already feel like you've got it figured out. You make a good salary, you've reached many of your life goals and your kids are on their way to independence. But there are still a lot of money truths left to learn, especially as you're approaching your retirement years.
I am deeply troubled by your sudden quietness in the midst of such powerful youth activism against police brutality and state violence. The killing of Mike Brown in Ferguson, Missouri, has awakened a movement, yet you are silent. Other members of the black entertainment industry have contributed in various ways, yet you are ghost.
At the Louisiana State University Law Center, the silence on race is deafening. It is deafening because race is never really off the table. Students discuss race with members of their own racial group, but they rarely have interracial conversations on race. As a result, students never learn about other people's lives or experiences -- they never become culturally competent.
School officials defend their quick resort to call in the school or city police with the claim that black students do commit more serious offenses than other students. There's nothing to support this.
The last few years have been fruitful ones for Gordon, who, with powerhouse filmmaker and playwright Rikki Beadle-Blair, has set up the critically acclaimed Team Angelica Press, a publishing firm in London dedicated to outsider artists and writers, especially LGBT voices of color.
For the first time in 13 years, the DOE now makes clear that states, school districts, and schools must make education resources equally available to all students without regard to race, color, or national origin. This is some of the unfinished business of the civil rights movement and a giant step forward for poor children, often children of color.
Our founders opposed using a "standing army" to patrol our streets. In fact, James Madison called this "one of the greatest mischiefs that can possibly happen." Under the "1033" program, however, America's streets are increasingly patrolled by police forces with all the trappings of an army ready for war.
It behooves us all to take another look at the bravery, the agony, and the hope of that very different time, and do what we can to reabsorb its lessons.
The ways in which we spend have changed. We have different attitudes about debt, and even though the job market has improved, millions continue to struggle as wages have not caught up.
The money decisions you make today can lead to either a secure or a scary financial future. Don't be tricked into being complacent. Think ahead, plan ahead -- and avoid these 13 money mistakes that could haunt you for years to come.
"Nothing in nature is straight. So that's how I design. There's no rhyme or reason. I'm planting for aesthetics. I want to be assaulted by smell, by beauty, by taste."
Because we have already called for an end to mass incarceration, but, though there has been progress, our elected local, state and especially federal officials haven't gone far enough.
The research team tested participants at an unconscious level through an implicit association test. They were able to look at the way the participants internally felt about STEM gender biases.
Many people know me for my dry sense of humor, but I'm also a serious legislator who gets results. I work hard to offer meaningful and impactful legislation that helps level the playing field for consumers, working people, the middle class and civil rights for the disenfranchised.
For some actors, stardom comes either on their very first film, which may have been in a blockbuster, or in a lead role. For others, fame comes gradually, after some growing pains and paying their dues in the business.
After appearing in small roles on sitcoms and films, such as 'Jarhead,' 'Stomp The Yard,' and 'This Christmas,' actor Laz Alonso finally got his big break when Spike Lee cast him opposite Michael Ealy and Derek Luke in the war film, 'Miracle at St. Anna.'
While the film didn't do big numbers at the box office, it was enough for Alonso to be seen in a bigger spotlight than his previous gigs.
As opposed to actors who entered the field through comedy or sports, the 36 year-old came through the finance world, when he left his job as an investment banker to take on a new challenge.
"Acting was always a part of my long-term plan, but my short-term plan was to become an investment banker, make a couple million bucks, and then finance my acting career that way," he told BlackVoices.com yesterday. "I won't have to sleep in my car and do all kinds of odd jobs. Once I was in the workforce and I was actually working on Wall Street I realized I wasn't going to be a millionaire in my first two years on Wall Street. That's just a ridiculous way of thinking, but at the time it sounded like a brilliant plan."
"Once I realized that was not going to be the case, instead of going to grad school and getting my MBA, which is what most investment bankers have to do as part of their career path, I chose to pursue art," he continued.
Within two years, former BET host turned movie star's fame would reach farther than he thought when director James Cameron cast him in the 2009 Oscar nominated film 'Avatar,' which ended up being the biggest grossing film of all-time.
After briefly appearing with Queen Latifah in 2010's 'Just Wright,' Alonso's game has reached a new level with an upcoming lead role in 'Jumping the Broom,' co-starring Paula Patton and Angela Bassett.
If that wasn't enough, hej ust completed another lead role on A&E Network's original scripted drama series, 'Breakout Kings,' which premieres March 13 and follows an unconventional partnership between the U.S. Marshals' office and a group of convicts as they work to catch fugitives on the run.
Also cast in the show are Domenick Lombardozzi, Malcolm Goodwin, Jimmi Simpson, Serinda Swan, and Brooke Nevin.
While his roles in films are getting bigger with wider exposure, the Washington D. C native didn't want to let a good opportunity pass by him.
"First and foremost I love this character. When I met with Nick Santora, one of the creators of the show, he really wanted to write him as Clint Eastwood-ish. The one cop in a town full of bad people, but he can get the job done, and that attracted me a tremendous amount. The fact that in order to do good things this guy may have to break a few rules is appealing. This show explored that a little bit. It's not a picture-perfect world that we live in on this show, and we're not a picture-perfect team, we mess up. We don't necessarily like each other the majority of the time. I think it's a really true portrayal of real life, it's not cookie cutter, but we figured it out somehow."
After playing a criminal in 'Fast and Furious,' the role of veteran U.S. Marshals Charlie Duchamp gives Alonso the chance to work on the "right side of the law."
"I would describe my character as the moral core of the group. You've got these guys and girls that are criminals who now have the opportunity to do the right thing but we still encourage them to think like criminals, because it's that very thought process that helps us catch people that are even worse than they are. Then you've got my partner Ray, played by Domenick Lombardozzi, who has a pretty dark past of his own. Even though he's a member of the law, he isn't the most upstanding member of law enforcement. My job is to keep the wheels turning without things falling apart, and with each episode it becomes harder and harder for me to do."
Along with the TV series, Alonso's quite aware of the the balance he has to maintain when it comes time to not only promote this show, but his upcoming film projects.
"Balance is definitely the biggest challenge," he said. "You definitely wear a lot of hats. Now I'm wearing the promotion hat where I'm promoting everything I've been working on.
"You got 'Breakout Kings' that premieres this Sunday on A&E at 10pm. Just a month-and-a-half later, Mother's Day Weekend, I have 'Jumping the Broom,' which is going to be in theaters everywhere. The work doesn't end. This is probably as long hours as being on set shooting, but I love it. I don't consider acting work 'cause I love it so much. There's a saying, 'If you love what you do you'll never work a day in your life again.' I really believe that. Even this part of the business is fun. I get to interact with fans, and I really get to feel that support that's so necessary for actors to get from their fanbase. I get to give back, interact, be acceptable, hear their opinions and respond. We do that a lot with this particular show on A&E ... People who love cop shows and crime shows are going to get more than what they usually get from procedural dramas."